The late Macdara Woods recalls the genesis of his poem Fire And Snow And Carnevale, perhaps best known in its musical setting by Anúna, part of the original Riverdance project
Steering clear of mystique and mystification I would have to say that poems must be thematically congruent, however many variables insert themselves. Which is another way of saying that anything goes, so long as it goes along with everything else. A kind of controlled chaos.
Human interaction is like a street of busy motor traffic. a fluid series of accidents and collisions and explosions, that do not quite happen. Except that in poetical terms they do indeed happen, unnoticed for most of the time, leaving all the cab-drivers, pedestrians, cyclists wondering how they got to wherever they are. The poet, with luck, can identify some of the patterns, the forever unjoined dots, along the way.
My poem starts with Cold. Shrove Tuesday in Umbria, Lenten, and — because this belongs to all time — Seasonal period of abstinence coming up. My neighbour remarks: In winter fire is beautiful. I respond, It lights the cave. Which is as basic as it can get — all human history is contained in those four words, and after that the poem flows on its own narrative terms.
My son who has earlier gone to the local Carnevale, dressed as Zorro, is now returning from the Quest, like the Archetypal hero, in triumph, through the gothic darkness and danger.
And finally he finds me, sitting by the fire, allowing me to hear and feel momentarily the outside world he has travelled through. And, even though he has come safely home on this occasion, intimations of danger and harm remain in the pictures I see in the fire.
But then, again, in winter fire is beautiful not dangerous, and generous: like the phone-in Verdi, it keeps us warm and lights the cave. All I can add is what every parent has to in time: Go, go safely, and come back safe, and welcome home.
Within these parameters anything goes.
(Written: April 2nd 2016)
Fire And Snow And Carnevale
In winter fire is beautiful
beautiful like music
it lights the cave —
outside the people going home
drive slowly up the road — the strains
of phone-in Verdi on the radio
three hours back a fall of snow
sprinkled the furthest hill
where clouds have hung all winter
The day gets dark uneasy
dark and darker still
and you little son come home
riding the tail of the wind
in triumph — tall and almost ten
with confetti in your hair
home successful from the carnevale
with your two black swords
and your gold-handled knife
I feel the chill and hear
the absent sound of snow
when you come in —
white fantastic scorpions spit
in the fiery centre of the grate
plague pictures cauterised —
In winter fire is beautiful
and generous as music — may you
always come this safely home
in fire and snow and carnevale
For a reading of the poem by Macdara Woods visit YouTube.