In our new anthology, The Deep Heart’s Core: Irish Poets Revisit a Touchstone Poem, some 100 poets accept the invitation to revisit a favourite, key or touchstone poem of their own, and offer a short commentary on same — as they might at a live event.
The result is an illuminating, thought-provoking and wholly engaging volume, a unique anthology as selected by the poets themselves, and a rare glimpse into the thinking, feeling and craft behind the finished poems.
The Deep Heart’s Core is both an ideal introduction to contemporary Irish poetry for the general reader and a handbook for the aspiring practitioner or student.
The Deep Heart’s Core is edited by Pat Boran and Eugene O’Connell and features a foreword by Bernard O’Donoghue.
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LIST OF CONTRIBUTORS
Graham Allen: ‘Military Hill’ – Tara Bergin: ‘This Is Yarrow’ – Eavan Boland: ‘That The Science Of Cartography Is Limited’ – Dermot Bolger: ‘While We Sleep’ – Pat Boran: ‘Waving’ – Eva Bourke: ‘Evening Near Letterfrack’ – Heather Brett: ‘Bankrupt’ – Paddy Bushe: ‘After Love’ – Rosemary Canavan: ‘Crab Apples’ – Moya Cannon: ‘Chauvet’ – Ciaran Carson: ‘Turn Again’ – Paul Casey: ‘Exile’ – Philip Casey: ‘Hamburg Woman’s Song’ – Sarah Clancy: ‘Homecoming Queen’ – Michael Coady: ‘Assembling The Parts’ – Enda Coyle-Greene: ‘Metathesis’ – Tony Curtis: ‘Bench’ – Pádraig J. Daly: ‘Complaint’ – Kathy D’Arcy: ‘Probable Misuse Of Shamanism’ – Michael Davitt: ‘Déirc’ / ‘Alms’ – Gerald Dawe: ‘The Water Table’ – John F. Deane: ‘The Poem of the Goldfinch’ – Mary Dorcey: ‘Trying on for Size’ – Theo Dorgan: ‘On a Day Far From Now’ – Cal Doyle: ‘Sirens’ – Martina Evans: ‘The Day My Cat Spoke to Me’ – John FitzGerald: ‘The Collectors’ – Gabriel Fitzmaurice: ‘Dad’ – Anne-Marie Fyfe: ‘The Red Aeroplane’ – Matthew Geden: ‘Photosynthesis’ – Rody Gorman: ‘Imirce’ / ‘Bodytransfermigration’ – Mark Granier: ‘Grip Stick’ – Vona Groarke: from ‘Or to Come’ – Kerry Hardie: ‘Life Gone Away is Called Death’ – Maurice Harmon: from ‘The Doll with Two Backs’ – James Harpur: ‘The White Silhouette’ – Michael Hartnett: ‘That Actor Kiss’ – Eleanor Hooker: ‘Nightmare’ – Breda Joy: ‘November Morning’ – Brendan Kennelly: from ‘Antigone’ – Patrick Kehoe: ‘The Nearness of Blue’ – Helen Kidd: ‘Sunspill’ – Noel King: ‘Black and Tan’ – Thomas Kinsella: ‘Marcus Aurelius’ – Jessie Lendennie: ‘Quay Street, Galway’ – John Liddy: ‘Scarecrow’ – Alice Lyons: ‘Arab Map of the World With the South at the Top’ – Aifric MacAodha: ‘Gabháil Syrinx’ / ‘The Taking of Syrinx’ – Jennifer Matthews: ‘Work Out’ – John McAuliffe: ‘Today’s Imperative’ – Joan McBreen: ‘My Father’ – Thomas McCarthy: ‘The Garden of Sempervirens’ – Philip McDonagh: ‘Water is Best’ – Afric McGlinchey: ‘Do not lie to a lover’ – Iggy McGovern: ‘Knight Errant’ – Medbh McGuckian: ‘Aunts’ – John Mee: ‘Travel Light’ – Paula Meehan: ‘The Moons’ – John Moriarty: ‘Faust’ – Aidan Murphy: ‘Touching Parallels’ – Gerry Murphy: ‘Poem in One Breath’ – Madelaine Nerson Mac Namara: ‘Atlas’ – Caitríona Ní Chléirchín: ‘Feiliceán bán’ / ‘White butterfly’ – Nuala Ní Chonchúir: ‘Tatú’ / ‘Tattoo’ – Eiléan Ní Chuilleanáin: ‘The Copious Dark’ – Ailbhe Ní Ghearbhuigh: ‘Deireadh na Feide’ / ‘Last Blast’ – Áine Ní Ghlinn: ‘Tú Féin is Mé Féin’ / ‘Yourself and Myself’ – Doireann Ní Ghríofa: ‘From Richmond Hill’ – Mary Noonan: ‘The Moths’ – Julie O’Callaghan: from ‘Edible Anecdotes’ – Eugene O’Connell: ‘Doubting Thomas’ – John O’Donnell: ‘The Shipping Forecast’ – Mary O’Donnell: ‘The World is Mine’ – Bernard O’Donoghue: ‘The Iron Age Boat at Caumatruish’ – Liz O’Donoghue: ‘Suspended Animation’ – Mary O’Donoghue: ‘My Daughter in Winter Costume’ – Sheila O’Hagan: ‘September the Fourth’ – Nessa O’Mahony: ‘Lament for a Shy Man’ – Mary O’Malley: ‘The Gulls at Fastnet’ – Leanne O’Sullivan: ‘The Station Mass’ – Karl Parkinson: ‘A Love Letter to Reinaldo Arenas’ – Paul Perry: ‘In the Spring of My Forty-First Year’ – Billy Ramsell: ‘Complicated Pleasures’ – Gerard Reidy: ‘Slievemore Deserted Village’ – Maurice Riordan: ‘Badb’ – Mark Roper: ‘Firelight’ – Gabriel Rosenstock: ‘Ophelia an Phiarsaigh’ / ‘Pearse’s Ophelia’ – Colm Scully: ‘What News, Centurions?’ – John W. Sexton: ‘Sixfaces and the Woman of Nothing’ – Eileen Sheehan: ‘My Father Long Dead’ – Peter Sirr: ‘After a Day in the History of the City’ – Gerard Smyth: ‘Taken’ – Matthew Sweeney: ‘I Don’t Want to Get Old’ – Richard Tillinghast: ‘And And And’ – Jessica Traynor: ‘Scene from a Poor Town’ – John Wakeman: ‘The Head of Orpheus’ – Eamonn Wall: ‘Four Stern Faces/South Dakota’ – William Wall: ‘Alter Ego Quasimodo’ – Grace Wells: ‘Pioneer’ – Sandra Ann Winters: ‘Death of Alaska’ – Joseph Woods: ‘Sailing to Hokkaido’ – Macdara Woods: ‘Fire and Snow and Carnevale’ – Vincent Woods: ‘Homeric Laughter’ – Enda Wyley: ‘Magpie’.
